The village in The Woman in the Dunes by Kobo Abe has at its mouth a number of holes, each containing a house. These houses represent the only defense for the village against the sand, which like a liquid will pour through the village unless it is shovelled out of these holes indefinitely - of course, it is an endless task.
It's an interesting take on the idea of finding duty in a sentence of endless servitude. Camus' Myth of Sysiphus is another example, however in the book it refers to the River of Hades. My suspicion is that this "river of Hades" is not derived from the Greek mythology, but rather is given as a crude translation from a Japanese myth - I've got no idea though. In the River of Hades example told throughout the book, shovelling the sand is like piling up rocks in the river of Hades, and there too they are never allowed to complete the task.
This story differs, however, especially if we think of the protagonist and how he deals with his sentence. After arriving in the town, he stays one night with "a woman" who seems a little vague about how he will leave the next day. I like imprisonment stories where the capture is never really acknowledged - however this type of dialogue between the two changes as the story develops. So as a starting point, we never really get the idea that the sentence is carried out with duty - those in the holes are condemned and essentially slaves to the village. It is not until many attempts to escape that the protagonist defers his plans indefinitely.
I couldn't help but think that given the situation and the woman's loneliness, it would have seemed natural just to accept the imprisonment from the beginning - since there is nothing to go home to, however this must be a peculiarity of my own ideas or the influence of Camus.
There are 3 sex-scenes in the book, all quite confronting and not so romantic - in fact, the way the woman in the dunes is treated is really quite appalling... despite her lay-down attitude, I think she still deserved better. Oh well.
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